Live From Super Bowl LIX: Inside the SkyCam and Sony Efforts To Make 4K 240-fps Imaging on SkyCam a Reality

The dual system will provide ‘more of a tactical view’ of the action

SkyCam’s big presence at a Super Bowl is nothing new, but, at Super Bowl LIX, the two SkyCam units flying around the Caesars Superdome will bring something new to the world of cabled camera systems.

The low one will have a Kudan LiDAR sensor mounted on the bottom to improve the stability of the AR graphics inserted into SkyCam shots. The high SkyCam features a new Sony P50A camera, which will capture 4k images at 240 frames per second, providing a new pixel- and frame-rich environment enabling the FOX Sports replay team to do everything from HD cutouts to tracking objects, telestration, and much more.

From left: SkyCam GM/COO Stephen Wharton, Game High Sky EIC Jason Curl, SkyCam Lead EIC Brad Eisele, and SkyCam, VP, Software Tim Demers

“It will provide more of a tactical view,” says Steve Wharton, GM/COO/CTO, SkyCam, “where you can see the routes and a lot of the blocking, especially on the edges of the line. On the low SkyCam, we can show the big pockets and holes from a low perspective, but the high SkyCam can offer a tactical view.”

The high SkyCam at Super Bowl LIX is outfitted with a Sony P50A, which will capture 4K images at 240 fps.

SkyCam has about 20 people onsite, including four sets of pilots and operators: one set for the low SkyCam, one for the high SkyCam, a third for the pregame show, and a fourth for the halftime show.

“Each of the guys has a set of responsibilities and controls,” Wharton explains. “The pilots are responsible for flying the SkyCam; you can think of it like flying a fighter jet. The operators are the ones pulling focus.”

The SkyCam system comprises three distinct components: the cameras and the pilot and operator controls; the winches and cabling (which will be located on the 600 level at Caesars Superdome); and the truck ties and the AR graphics. Says Wharton, “Everything gets orchestrated together.”

Getting SkyCam ready for a Super Bowl requires months of planning. The team not only has to figure out where to rig the system but also needs to consider the additional speaker and lighting clusters put in place for the halftime show. This year, integrating the new Sony camera into the SkyCam workflow took some time, as did ensuring that signals were transported properly across fiber connects from the camera to the production team.

From left: High Sky Operator Austin Ellsworth; Low Sky Pilot Alex Milton; Sam High Sky Pilot Walker; SkyCam, VP, Software, Tim Demers; SkyCam GM/COO/CTO Stephen Wharton; and SkyCam, Manager, Technical Operations, Mark StreapyTim Demers, SkyCam, VP Software; Stephen Wharton, SkyCam, GM, COO & CTO; Mark Streapy, SkyCam, Technical Operations Manager

“This camera is going to get looks the production team otherwise would not have,” says Wharton. “It’s not like a pylon cam, which is useful only for plays on the goal line. This is useful on every play.”